Now Something Completely Different

Last Saturday's meeting of Bedfordshire Weavers, Spinners and Dyers was a rush weaving workshop led by Felicity Irons (www.rushmatters.co.uk). The picture above was our raw materials.

We started our first project by weaving stays in the middle, then adding 2 lengths of rush which we wove around the stays.

The round mat was the result of our labours before lunch, after which Felicity showed us how to make the angel fish, in preparation for the windmill bag. I'm afraid my bag or pot pouri pouch is not finished yet but it will be .. soon.

All colours are there. creating shade cards

There is a tendency for all of us to use dye colours straight from the pot, without mixing and creating new shades, unless of course there are small quantities of liquor left at the end of a project. It is time consuming and expensive to make your own shade cards. This year I am working with two Weavers, Spinners and Dyers guilds to produce, hopefully, the shades that can be produced with all 16 of the Texere Acid Dye range. Hundreds of skeins and many cards to file the colours have had to be made and distributed, but later this month the project will be close to completion. Fingers Crossed!!! Above are photos of the first batch of samples, waiting to be threaded on to the file cards. Don't they look great! It seems a shame to split them up.

Creating Dye Shade Cards.

Dyeing your own yarn or fibre is often a task we are nervous about. What if you don’t get the colour you want, or you damage the fibre, the colour doesn’t take or isn’t wash fast? There are several reasons why crafts people buy dyes and use them’ straight from the bottle’. I enjoy dyeing my own materials, producing a third colour where two blend and often don’t mind if I achieve a less than even colour take up. The end product has life, individuality, a charm of its own and there can be great satisfaction in knowing it is ‘one of a kind’.

Creating your own shade cards can be very useful and save time in future projects. I keep project sheets and dyed yarn samples and notes from most of my projects. There comes a time when you want to ‘do something different’, use a different combination of colours to help motivation, inspiration and inject freshness in your work. Changing your colour schemes is a great place to start. Having a set of colour samples to ‘play’ with can help you make a different choice.

The ingredients for this project are yarn and dye chemicals. Make sure you have sufficient of each before you begin. For an accurate, repeatable colour, your yarn should be clean, grease and dirt free, so you may need to scour it before dying. Accuracy in the measuring process is also important, so suitable tools are needed.

A check list of equipment:-

Dyes

Fixing Agent

Mixing the dye solution.

A 1% dye solution, 1ml dye powder to 100ml water, will dye 100g yarn or fibre to a medium depth of colour and is a useful strength for such a project.

Very Useful/Valuable Group Workshop

Another Bedfordshire Guild member and I wanted to create shade cards for the dyes we used regularly, to enable us to create the colour shades we wanted for our projects without experimentation each time.

I soon realised the quantity of materials needed to achieve this were rather more than either of us could afford, either in time or resources. The ideal opportunity came when I was asked to run a workshop on the use of synthetic dyes. Others too were nervous about using dyes on their precious hand-spun yarn and bought fibre, so it was agreed that it would be worthwhile for me to organise a workshop where by we could produce a set of shade cards for each participant. It was also agreed that the dye range most commonly used by our members is the Kemtex acid dye range.

With 16 colours in the range, it was soon obvious that 10 shades from each pair of colours meant a huge number of samples. Having done this exercise with other dye ranges I decided that 5 samples for each 2 colours would be adequate, less expensive and more achievable. When another group, hurrah, expressed an interest in the project it became possible to create a more comprehensive sampling. The work of both groups could be shared giving all participants a set of dye samples.

I set about planning and organising. 16 colours, each mixed with the other 15 in the range multiplied by 5, this meant 600 samples in total and rather too many, even for 2 groups of 10 people this meant a mammoth task. So for the time being I decided not to include black, navy, chestnut and brown in the project.

The other requirement was woollen yarn, but just how much was needed? I found that 15 winds on my small niddy-noddy of DK yarn weighed 5g and that this length would be sufficient to give 30 samples of each shade. This was enough for 2 groups with a few left over. I managed to source this as Woolfest, buying from a supplier who sold only at the bigger shows but at the very reasonable price of £20 per kilo.

So, 12 dyes, 66 combinations mixed in 5 different proportions = 330 skeins, plus a skein for each colour in the range and each colour with black in the proportion of 9/1, 362 skeins in all, 1810g or yarn. I needed to buy 2 kilo yarn. (Using all 16 dye colours means 600 samples in all and 3kilo of yarn!!!!!!)

Latest Projects

The project above is intended to be lightly felted so the slipper socks can be worn over my normal thin ones when demonstrating, weaving or spinning at home in colder weather. The yarn was spun from alpaca,wool and nylon tops bought at Woolfest and I am hopeful that I will be able to wear this mix as a garment without my skin being irritated. I am knitting to illustrate an article I have been asked to write about dyeing for socks and it was great to have two less bulky projects to take with me on holiday. Well, actually we were dog sitting while our son and new daughter in law went to Florida.

The next socks are merino and nylon, dyed to create self striping yarn, again to be worn as over socks, but created to illustrate the article.

The next two weeks are going to be quite busy, eye test on Thursday, manicure on Friday - a first for me - meal next Thursday evening, pre Friday's wedding. Our eldest son is getting married, so we will have another new daughter-in-law by the end of the month. Exciting times!

Holiday Projects

Well, it seems that summer is here at last! I feel as hot as the colours of my yarn. We are off for a couple of weeks holiday and dog sitting near Leamington Spa. So I need some projects to take with me. I managed to visit Woolfest in Cumbria last month and just had to buy one or two fibery things.

The skeins of yarn, destined to be a scarf and felted bag, are pure British Wool from a supplier who only sells at shows - a great excuse to keep going. Ally Pally, Kniting and Stitching show next. The wound balls are handspun from tops consisting of Alpacca, wool and nylon and should make me a great pair of socks, similar to the ones I have posted before.

That time of year again!

Usually each May I rear a batch of Bombyx Mori silkworms and this year is no different, it just happened later than usual. I have to watch my mulberry tree in early May to see if there are any leaf buds showing. That is the sign to put eggs to warm so they will hatch 10 days to 2 weeks later. The weather conspired against me and I realised that was was going to be unable to rear a pure strain of Bombyx mori in time to take them to Hatfield House Living Crafts event, So.. I ordered some medium sized silkworms from an online company along with some ready made artificial food for them to eat. Problem solved! Now I am also hatching some eggs in order to take them to Birmingham Guild of Weavers, Spinners and Dyers in 2 weeks time.

This photo shows all stages of the silkworms life cycle. On the right are the eggs which should hatch in another week. In the middle are cocoons spun by the caterpillars taken to Hatfield House. For the first time I had caterpillars spinning at a show and people found it fascinating. In the container with some leaves are small caterpillars. The brown objects in the middle are chrysalis which I took from their cocoons. In the two round containers on the left are mating pairs. The two moths at the top and the one in the centre are males awaiting hatching females.

Silk Tops

After spinning my own dyed silk bricks for several years I have become dissatisfied with the lengths of the fibres in the brick. It seemed to me that there were/are more batches of shorter and varied length fibres that were making the dyeing process difficult, caused by wastage because fibres along the length of the brick were breaking away, making it look very untidy and fibre loss.
At first, because I had spun little silk over the winter, I wondered if it was my technique at fault. Then I had reason to spin a brick that I had dyed some years ago. I found the fibre to be of a more consistent length and could control the style of yarn more easily. So, I hadn't imagined the change.
After trying two or three bricks I ordered silk tops. I spun a sample un-dyed and found the fibres to be more consistent and it was much easier to control the style/smoothness of yarn. Maybe I had hit on the solution to being disheartened about spinning my favourite fibre. Then came the test dyeing the tops.
I wound the very long length, 100g, of fibre on my niddy noddy just as I do with woollen yarn, put 4 figure of eight ties in the skein, soaked and dyed it.
It took less time to soak than a brick of 125g. First plus point. There was less fibre disturbance through the processes of dying rinsing and drying - second plus. It dried quicker because I was able to hang the length of tops across my dryer- third plus. Spinning was much more satisfying because I could spin a smoother,finer yarn without having to deal with batches of short fibres - plus four.
I have spun 100g of the 200g dyed and I am vey pleased that I can now resume a relaxing, satisfying process that I had enjoyed for so long.

I have woven several silk items since my last post and I am waiting for a bright, dry day to take photos. As soon as I have managed this I'll be posting again.

Another First

At the weekend I finished knitting this triangular shawl. It is my first completed project having spun the yarn on a drop spindle.
I have been drop spindling on and off for years but have never attempted, let alone completed, a project before.
Inspired by my friend Martina, also a member of Bedfordshire Guild Weavers, Spinners and Dyers, who carries her drop spindle almost everywhere and uses her spinning wheel rarely, I decided that I must complete something.
I began last autumn. I dyed 200g of wool tops with acid dyes and began to spin with the beautiful drop spindle bought at Fibre East last summer. Well, you can't spend over £30 on such a tool and just admire its beauty! It's so much more satisfying to make use of it.
The skeins above are the result. I was a little frustrated by the weight of plied yarn I could get on my spindle but next time I will follow Martina's advice and use a larger spindle on which to ply the singles.
The pattern is a free one from Ravelry 'Azzu's Shawl' published by Emma Fassio. Thank you Emma. I increased the number of rows, and therefore the width of the shawl, to use as much of my yarn as possible